Shuga Records Exclusive White Vinyl – Limited Edition of 100
1.
|
Salvation
|
|||
2.
|
Temple
|
|||
3.
|
Scars Alight
|
|||
4.
|
TMS
|
|||
5.
|
Glass Dance
|
|||
6.
|
Last Time
|
|||
7.
|
Inside My Love
|
|||
8.
|
Dreama
|
about
To hear Kidd’s voice is to hear majesty: dynamic, virtuosic, evocative, and – frankly – hard to believe. On the moving, pleading opener “Salvation,” Kidd rockets to sublime heights with the divine energy of a holy spirit visitation. Perhaps this is no surprise given Kidd’s performance history. After performing in church choir and community theater as a child, she competed on several editions of American Idol, broadening their scope as a member with acclaimed Cleveland band Mourning [A] BLKstar. One might expect confidence from a singer with this resume, and Kidd delivers right out of the gate with the atmospheric “Salvation,” their voice easily swelling into the eaves of their register, one-and-a-half octaves above middle C. It’s one of two percussion-less numbers on the album, supported instead by ripples of synth (Jah Nada) and guitar (Smith Taylor, Marcus Alan Ward). These instruments provide a foundation for Kidd’s vocal runs, with subtle changes providing big mood shifts. On the simmering slow burn of “Temple,” they’re joined by drums (Red Tailed Hawk Luna, Neil Chastain); elsewhere, brass, woodwinds, harp, violin. Throughout, there’s a sense of Kidd pushing against the edges of soul, electronic, and experimental sensibilities, bolstered by a slew of Cleveland- and Midwest-based musicians.