Tracklist
A1 | WRGOABABD | 2:58 |
A2 | MLIAOI | 4:16 |
A3 | WTBIMPANETP | 8:54 |
B1 | MLIABOAIAQC | 4:48 |
B2 | ITTMTSAMSTGAB | 8:25 |
B3 | TAMAN SHUD | 3:42 |
Companies, etc.
- Mastered At – Mammoth Sound Mastering
Credits
- Mastered By – Dan Randall
Notes
Concieved and performed in Richmond, Virgina, by Eyestone, Scala and Parrish
Recorded and mixed by Brent Eyestone at Tracking
Mastered by Dan Randall at Mammoth Sound
Published by Dark Operative Publishing (ASCAP)
“Indeed, Indeed, Repentance oft before
I swore – but was I sober when I swore?
And then, and then came Spring, and Rose-in-hand
My Thread-bare Penitence a-pieces tore”
At 6:30 a.m. on December 1, 1948, the body of a well-dressed man was found lying in the sand on Somerton Beach just south of Adelaide, South Australia. Sewn into a hidden pocket of the man’s pants was a scrap of paper, the final page from an edition of The Rubaiyat of Omar Khayyam on which these words were printed: “taman shud” (Persian for “finished”).
Following an appeal by police, a man in nearby Glenelg turned in the copy of the book from which the page had been torn, which he had discovered lying on the seat of his car. In the back of the book were faint pencil markings of five lines of capital letters, with one line crossed out. The letters were thought to be in code, but if they were, the code was never deciphered:
WRGOABABD
MLIAOI
WTBIMPANETP
MLIABOAIAQC
ITTMTSAMSTGAB
No cause of death was ever proven, though the coroner suspected the use of some undetectable poison. Nor was the dead man ever identified, despite intensive efforts by police that included worldwide distribution of the decedent’s photograph and other information about the body. The book itself appeared to have been an edition for which there was no record of its printing.