Angel Bat Dawid – Requiem For Jazz
| Label: | International Anthem Recording Company – IARC0061 |
|---|---|
| Format: |
2 x Vinyl, LP, Album, Limited Edition, Purple
|
| Country: | US |
| Released: | Mar 24, 2023 |
| Genre: | Jazz |
| Style: | Avant-garde Jazz, Gospel |
| A1 | Jazz Is Merely The Negroes Cry Of Joy & Suffering | |
| A2 | Introit – Joy N’ Suff’rin | |
| A3 | Jazz Is The Musical Expression Of The Triumph Of The Negroes Spirit | |
| A4 | Kyrie Eleison – Lawd Hav’ Merci | |
| A5 | This Endless Repetition Is Like A Chain Around The Spirit. And Is A Reflection Of The Denial Of A Future To The Negro In The American Way Of Life | |
| A6 | Dias Ire – Chain Around The Spirit | |
| A7 | Another Restraining Factor In Jazz Are The Changes | |
| A8 | Tuba Mirum – The Changes | |
| B9 | The Negro Experiences The Endless Daily Humiliation Of American Life Which Bequeaths Him A Futureless Future | |
| B10 | Rex Tremendae – Futureless Future | |
| B11 | The Negro Transforms America’s Image Of Him Into A Transport Of Joy! | |
| B12 | Recordare – Recall The Joy | |
| B13 | Jazz Reflects The Improvised Life Thrust Upon The Negro | |
| B14 | Confutatis – Repression | |
| B15 | Through Spirituals, Through The Blues, Then Through Jazz We Made A Memory Of Our Past And A Promise Of All To Come | |
| B16 | Lacrimosa – Weeping Our Lady Of Sorrow | |
| B17 | Because Jazz Is The One Element In American Life Where Whites Must Be Humble To The Negro | |
| C18 | Offerturium – Hostias – Humility | |
| C19 | Only When Whites Have Paid The Price In Suffering To Be The Negroes Equal | |
| C20 | Sanctus – Holy, Holy, Holy | |
| D21 | The Jazz Body Is Dead But The Spirit Of Jazz Is Alive | |
| D22 | Agnus Dei – Jazz Is Dead! | |
| Lux Aeterna – Eternal Light/My Rhapsody |
| D23.1 | Eternal Light | ||
| D23.2 | My Rhapsody |
| D24 | Long Tone For Rayna Golding (A Binti Zawadi Our Future) |
- Phonographic Copyright ℗ – International Anthem Recording Company
- Copyright © – International Anthem Recording Company
- Lacquer Cut At – SST GmbH
- Pressed By – TAKT
- Alto Saxophone – Fred Jackson, Jr.
- Alto Vocals – Monique Golding
- Baritone Vocals – Phillip Armstrong
- Cello – Olula
- Clarinet – Hannah Washington
- Composed By, Arranged By, Conductor, Mixed By – Angel Bat Dawid
- Contrabass – Jeremiah Hunt
- Design [Visualz] – Jonathan Woods (6), Liz Gomez (3)
- Electronics – Norman W. Long
- Flute – Dr. Adam Zanolini*
- Lacquer Cut By – Kr*
- Mastered By – Najee-Zaid Searcy
- Percussion – Vincent Davis (3)
- Performer [Auxiliary Instruments] – Xristian Espinoza
- Performer [Dancer] – Aquarius (53), Viktor Le Givens
- Piano – Dr. Charles Joseph Smith*
- Recorded By [Live] – Dave Vettraino, Najee-Zaid Searcy
- Set Designer – Viktor Le Givens
- Soprano Saxophone – Isaiah Collier
- Soprano Vocals – Tramaine Parker
- Tenor Saxophone – Kwesaiah
- Tenor Vocals – Deacon Julian Otis Cooke*
- Trumpet – Sam Thousand
- Viola – Michelle Manson
- Violin – DaJour Smith, J’Niya Blunt
Requiem for Jazz – Composed, Arranged, Conducted & Mixed by Angel Bat Dawid
except “My Rhapsody,” from the 1959 Ed Bland film “The Cry of Jazz,” composed by Paul Severson & Norman Leist (Glenayre Publishing Co. BMI), arranged by Angel Bat Dawid.
Lyrics include extracts from “The Cry of Jazz” and the Roman Catholic Liturgical Requiem Missal.
Requiem for Jazz Intros/Interludes Composed, Produced, Mixed & Performed by Angel Bat Dawid
Requiem for Jazz premiered Sept, 30th 2019 at the Reva & David Logan Center for the Arts in Chicago, IL. Commissioned for the 2019 Annual Hyde Park Jazz Festival.
Special Cosmic Guests on “Lux Aeterna – Eternal Light/My Rhapsody”:
Marshall Allen – Alto Sax, Ewi
Knoel Scott – Percussion
- Barcode (On obi): 7 89993 99273 7
- Matrix / Runout (Etched side A): IARC 0061 A 010620163-A-1 Kr SST
- Matrix / Runout (Etched side B): IARC 0061 B Kr SST 010620163-B-1
- Matrix / Runout (Etched side C): IARC 0061 C 010620224-C-1 Kr SST
- Matrix / Runout (Etched side D): IARC 0061 D Kr SST 010620224-D-1
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